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Hip-hop

Sydney Morning Herald

Saturday August 23, 2008

Chloe Sasson

LIL WAYNE

Tha Carter III (Cash Money/Universal Music)

If you took everything that was great about hip-hop, all the fantastic stereotypes, mixed in a bit of cartoon fun and ensured that Kanye West and Jay-Z dropped in, you'd have something close to Lil Wayne's latest release.

Born with a gruff New Orleans drawl, and having released at least 468 illegal mix tapes on the internet, Lil Wayne has perfected his vocals into a style that suits the whole hip-hop spectrum; from the bling, girls and money tracks (Mr Carter and Got Money), via the surreal ET-mimicking galactic tracks (Phone Home) through to the straight-up, dancefloor party tracks (Let The Beat Build and La La).

Forget about any serious political overtones (think the Beastie Boys or Common), or over-serious egos (50 Cent, Ludacris or Master P), Lil Wayne has a knack for bringing together the fattest, most danceable basslines, catchy yet quirky choruses and a big dose of fun.

Hip-hop needed a shot of light-heartedness and Lil Wayne has delivered with an album that should blow all others out of the water.

© 2008 Sydney Morning Herald

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